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Capturing the beauty of wildlife through your camera lens is a rewarding experience. However, it requires patience, skill, and the right techniques to truly improve wildlife shots. Whether you are a beginner or an experienced photographer, mastering certain aspects of wildlife photography can elevate your images from ordinary to stunning. This guide will walk you through practical advice and actionable tips to help you take breathtaking wildlife photos.


How to Improve Wildlife Shots with Simple Techniques


Improving your wildlife shots starts with understanding your subject and environment. Animals behave unpredictably, so preparation is key. Here are some essential tips to help you get better results:


  • Research your subject: Learn about the habits, habitats, and active times of the animals you want to photograph. This knowledge helps you anticipate their movements.

  • Use the right equipment: A telephoto lens (200mm or longer) is ideal for capturing animals from a distance without disturbing them.

  • Be patient and quiet: Wildlife photography demands patience. Move slowly and avoid sudden noises to prevent scaring your subject.

  • Focus on the eyes: Sharp eyes create a connection between the viewer and the animal, making your photo more engaging.

  • Use natural light: Early morning or late afternoon light adds warmth and depth to your images.


By applying these techniques, you can significantly improve wildlife shots and capture moments that tell a story.


Eye-level view of a red deer in natural woodland setting
Red deer at eye level, UK

Essential Camera Settings to Improve Wildlife Shots


Understanding your camera settings is crucial for wildlife photography. Here are some settings to consider:


  • Aperture: Use a wide aperture (f/2.8 to f/5.6) to blur the background and make your subject stand out.

  • ISO: Keep ISO as low as possible to reduce noise, but increase it in low light to maintain a fast shutter speed.

  • Focus mode: Use continuous autofocus (AI Servo or AF-C) to track moving animals.

  • Drive mode: Set your camera to burst mode to capture multiple frames quickly, increasing your chances of getting the perfect shot.


Experimenting with these settings will help you adapt to different lighting and movement conditions, improving your overall wildlife photography.


Close-up view of a Puffin at sunset with a blurred background.
Puffin close up at sunset, Shetland

What Shutter Speed Should I Use for Wildlife Photography?


Shutter speed is one of the most important factors in wildlife photography. It controls how motion is captured and can make the difference between a sharp image and a blurry one.


  • Fast-moving animals: Use a shutter speed of at least 1/1000 second to freeze action, such as birds in flight or running mammals.

  • Slower subjects: For animals that move slowly or are stationary, 1/250 to 1/500 second is usually sufficient.

  • Panning shots: If you want to capture motion blur while keeping the subject sharp, try shutter speeds between 1/30 and 1/125 second and move the camera along with the animal.


Always adjust shutter speed based on the animal’s speed and the available light. Combining a fast shutter speed with a wide aperture and higher ISO often yields the best results.


Eye level of a little owl running towards me with a slow shutter to show movement in the feet.
Slow shutter to show movement in the little owls feet, Norfolk

Composition Tips to Enhance Your Wildlife Photography


Good composition can transform a simple wildlife photo into a captivating image. Here are some composition tips to keep in mind:


  • Rule of thirds: Place your subject off-centre to create a balanced and interesting photo.

  • Fill the frame: Get close or zoom in to eliminate distractions and focus on the animal.

  • Include the environment: Sometimes showing the animal’s habitat adds context and tells a better story.

  • Use leading lines: Natural lines like branches or rivers can guide the viewer’s eye to the subject.

  • Capture behaviour: Photos showing animals interacting, feeding, or in motion are more dynamic and engaging.


By thoughtfully composing your shots, you can create images that are not only beautiful but also meaningful.


Gear and Accessories That Help Improve Wildlife Shots


Having the right gear can make your wildlife photography easier and more effective. Consider these accessories:


  • Tripod or monopod: Stabilises your camera for sharper images, especially with heavy lenses.

  • Teleconverter: Extends your lens’s focal length, allowing you to get closer without disturbing wildlife.

  • Camouflage clothing or hides: Helps you blend into the environment and get closer to animals.

  • Remote shutter release: Minimises camera shake when taking photos.

  • Extra batteries and memory cards: Wildlife photography sessions can be long, so be prepared.


Investing in quality gear and accessories tailored for wildlife photography will help you capture stunning shots with less hassle.



Mastering wildlife photography takes time and practice, but with these tips, you are well on your way to capturing incredible images. For more inspiration and expert advice, explore wildlife photography tips that can help you refine your skills and improve your wildlife shots. Keep experimenting, stay patient, and enjoy the beauty of nature through your lens.

 
 
 

Floating hides are one of the best ways to go about photographing water birds, waders, otters and a host of other species. I have been using mine for years and always look forward to doing it again. There is nothing better then floating along the broads or on the coast photographing wildlife. It does take a bit of motivation to don the wetsuit on a cold winters morning and swim around photographing the wildlife but once you get in, you remember why you go to the effect.


You can now buy floating hide for various place but they cost a fair bit. I made mine myself and cost me about £10 and is one of my favourite pieces of kit. It's simple but extremely effective and in the last 5 years I have not damaged myself or any equipment, so pretty safe. Below are a few images of me and the hide.


Floating Hide, cornwall, swimming, photography, photos
Floating Hide on a Cornish estuary by Josh Jaggard

floating hide, uk, photography,
Josh Jaggard and his floating hide in Shetland

It's very simply two polystyrene sheets, one large and one small. The small sheet is underneath the large positioned at the end where I'm resting to counteract my weight. They have been cut to hold my weight and that of my camera, making me able to float balanced at water lever just 10cm off the water. My front half is lying on the sheets and my legs and in the water propelling and turning the hide. I throw over a piece of camo netting to help conceal my upper body. This does an amazing job and had kingfishers hovering and hunting right next to me. I have also encased the two polystyrene sheets in some material to prevent any polystyrene balls from getting in the water. No point doing this if I'm polluting the water / ocean with plastic or polystyrene where my subjects all live and rely on.


The whole point of a floating hide is to get as low as possible, eye level with the subject matter. I have seen a number of designs where you are half a meter off the water level, which just isn't low enough, you might as well shoot from a kayak. Kayaks can be great for wildlife photography though and was how I first photographed water birds. Although I quickly realised I just wasn't low enough to the water to create the images I wanted. Another bonus of the hide, is the manoeuvrability, I can move around the subject getting different angles and lighting conditions without disturbing the species.


Below are a collection of images showing what sort of images I have been creating. I have used it on a large amount of species, all who were approached and left as they were, these include: Otters, kingfishers, snipe, grebes, fulmars, waders, ducks and seabirds.



Do be careful if you do try and do this yourself; currents, tides, weather and underwater hazards can all cause you serious harm. Some more floating hide images can be seen in my portfolio pages.

Thanks for reading!

 
 
 
Contact Me

I'm available for photographic and filming commissions all year round. Feel free to get in touch and enquire. Likewise if you would be interested in any video or photo stock. Please feel free to message me with any other enquires as well.

Thanks for submitting! I will get back to you as soon as possible.

© Josh Jaggard 2025
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